The Two Noble Kinsmen
Act IV, Scene 2
A room in the palace.
W. J. Rolfe, 1898
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Enter Emilia alone, with two pictures.
Emilia
1 - 55
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Yet I may bind those wounds up, that must open
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And bleed to death for my sake else. I’ll choose,
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And end their strife. Two such young handsome men
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Shall never fall for me; their weeping mothers,
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Following the dead-cold ashes of their sons,
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Shall never curse my cruelty. Good heaven,
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What a sweet face has Arcite! If wise Nature,
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With all her best endowments, all those beauties
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She sows into the births of noble bodies,
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Were here a mortal woman, and had in her
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The coy denials of young maids, yet doubtless
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She would run mad for this man. What an eye,
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Of what a fiery sparkle and quick sweetness,
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Has this young prince! Here Love himself sits smiling.
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Just such another wanton Ganymede
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Set Jove afire with, and enforc’d the god
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Snatch up the goodly boy and set him by him,
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A shining constellation. What a brow,
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Of what a spacious majesty, he carries,
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Arch’d like the great-ey’d Juno’s, but far sweeter,
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Smoother than Pelops’ shoulder! Fame and Honor
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Methinks from hence, as from a promontory
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Pointed in heaven, should clap their wings and sing
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To all the under world the loves and fights
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Of gods and such men near ’em. Palamon
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Is but his foil, to him, a mere dull shadow;
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He’s swarth and meager, of an eye as heavy
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As if he had lost his mother; a still temper,
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No stirring in him, no alacrity,
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Of all this sprightly sharpness, not a smile.
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Yet these that we count errors may become him:
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Narcissus was a sad boy, but a heavenly.
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O, who can find the bent of woman’s fancy?
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I am a fool, my reason is lost in me;
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I have no choice, and I have lied so lewdly
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That women ought to beat me. On my knees
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I ask thy pardon: Palamon, thou art alone
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And only beautiful, and these the eyes,
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These the bright lamps of beauty, that command
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And threaten Love, and what young maid dare cross ’em?
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What a bold gravity, and yet inviting,
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Has this brown manly face! O Love, this only
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From this hour is complexion. Lie there, Arcite,
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Thou art a changeling to him, a mere gypsy,
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And this the noble body. I am sotted,
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Utterly lost. My virgin’s faith has fled me;
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For if my brother but even now had ask’d me
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Whether I lov’d, I had run mad for Arcite;
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Now if my sister—more for Palamon.
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Stand both together: now, come ask me, brother—
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Alas, I know not! Ask me now, sweet sister—
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I may go look! What a mere child is fancy,
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That having two fair gauds of equal sweetness,
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Cannot distinguish, but must cry for both!
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Enter Gentleman.
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How now, sir?
Gentleman
56 - 57
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From the noble Duke your brother,
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Madam, I bring you news. The knights are come.
Emilia
58
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To end the quarrel?
Emilia
60 - 67
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Would I might end first!
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What sins have I committed, chaste Diana,
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That my unspotted youth must now be soil’d
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With blood of princes? And my chastity
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Be made the altar where the lives of lovers—
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Two greater and two better never yet
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Made mothers joy—must be the sacrifice
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To my unhappy beauty?
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Enter Theseus, Hippolyta, Pirithous, and Attendants.
Theseus
68 - 72
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Bring ’em in
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Quickly, by any means, I long to see ’em.—
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Your two contending lovers are return’d,
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And with them their fair knights. Now, my fair sister,
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You must love one of them.
Emilia
73 - 74
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I had rather both,
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So neither for my sake should fall untimely.
Theseus
78
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From whence come you, sir?
First Messenger
79
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From the knights.
Theseus
80 - 81
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Pray speak,
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You that have seen them, what they are.
First Messenger
82 - 98
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I will, sir,
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And truly what I think. Six braver spirits
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Than these they have brought (if we judge by the outside)
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I never saw nor read of. He that stands
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In the first place with Arcite, by his seeming
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Should be a stout man, by his face a prince
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(His very looks so say him), his complexion
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Nearer a brown than black; stern, and yet noble,
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Which shows him hardy, fearless, proud of dangers.
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The circles of his eyes show fire within him,
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And as a heated lion, so he looks;
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His hair hangs long behind him, black and shining
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Like ravens’ wings; his shoulders broad and strong,
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Arm’d long and round, and on his thigh a sword
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Hung by a curious baldrick, when he frowns
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To seal his will with. Better, o’ my conscience,
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Was never soldier’s friend.
Theseus
99
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Thou hast well describ’d him.
Pirithous
100 - 101
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Yet a great deal short,
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Methinks, of him that’s first with Palamon.
Theseus
102
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Pray speak him, friend.
Pirithous
103 - 123
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I guess he is a prince too,
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And if it may be, greater; for his show
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Has all the ornament of honor in’t.
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He’s somewhat bigger than the knight he spoke of,
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But of a face far sweeter; his complexion
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Is, as a ripe grape, ruddy. He has felt
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Without doubt what he fights for, and so apter
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To make this cause his own. In ’s face appears
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All the fair hopes of what he undertakes,
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And when he’s angry, then a settled valor
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(Not tainted with extremes) runs through his body,
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And guides his arm to brave things. Fear he cannot,
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He shows no such soft temper. His head’s yellow,
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Hard-hair’d, and curl’d, thick twin’d like ivy-tods,
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Not to undo with thunder. In his face
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The livery of the warlike maid appears,
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Pure red and white, for yet no beard has blest him;
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And in his rolling eyes sits victory,
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As if she ever meant to crown his valor.
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His nose stands high, a character of honor;
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His red lips, after fights, are fit for ladies.
Emilia
124
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Must these men die too?
Pirithous
125 - 129
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When he speaks, his tongue
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Sounds like a trumpet. All his lineaments
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Are as a man would wish ’em, strong and clean.
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He wears a well-steel’d axe, the staff of gold.
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His age some five and twenty.
First Messenger
130 - 133
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There’s another,
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A little man, but of a tough soul, seeming
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As great as any. Fairer promises
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In such a body yet I never look’d on.
Pirithous
134
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O, he that’s freckle-fac’d?
First Messenger
135 - 136
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The same, my lord.
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Are they not sweet ones?
Pirithous
137
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Yes, they are well.
First Messenger
138 - 157
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Methinks,
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Being so few and well dispos’d, they show
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Great and fine art in nature. He’s white-hair’d,
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Not wanton white, but such a manly color
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Next to an auburn; tough and nimble set,
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Which shows an active soul; his arms are brawny,
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Lin’d with strong sinews; to the shoulder-piece
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Gently they swell, like women new conceiv’d,
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Which speaks him prone to labor, never fainting
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Under the weight of arms; stout-hearted, still,
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But when he stirs, a tiger. He’s grey-ey’d,
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Which yields compassion where he conquers; sharp
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To spy advantages, and where he finds ’em,
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He’s swift to make ’em his. He does no wrongs,
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Nor takes none. He’s round-fac’d, and when he smiles
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He shows a lover, when he frowns, a soldier.
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About his head he wears the winner’s oak,
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And in it stuck the favor of his lady.
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His age some six and thirty. In his hand
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He bears a charging-staff emboss’d with silver.
Theseus
158
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Are they all thus?
Pirithous
159
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They are all the sons of honor.
Theseus
160 - 161
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Now as I have a soul I long to see ’em.
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Lady, you shall see men fight now.
Hippolyta
162 - 167
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I wish it,
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But not the cause, my lord. They would show
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Bravely about the titles of two kingdoms.
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’Tis pity love should be so tyrannous.
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O my soft-hearted sister, what think you?
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Weep not, till they weep blood. Wench, it must be.
Theseus
168 - 170
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You have steel’d ’em with your beauty.—Honor’d friend,
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To you I give the field; pray order it,
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Fitting the persons that must use it.
Theseus
172 - 174
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Come, I’ll go visit ’em. I cannot stay—
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Their fame has fir’d me so—till they appear.
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Good friend, be royal.
Pirithous
175
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There shall want no bravery.
Emilia
176 - 177
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Poor wench, go weep, for whosoever wins
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Loses a noble cousin for thy sins.